Of course, you can’t communicate everything with drawings, but it’s good to visualize the main concepts and starting points in your story. It ensures you and the people you’re talking to are on the same page and discussing the same issue.
The big problem is that drawing takes time. At least if you don’t practice it. That’s where some quick tips and tricks come in handy.
You can do this yourself, I promise!
My goal is to make anybody who is interested able to read through these blog posts, run a 4 part workshop together with colleagues, and then be able to draw to communicate. I’ve had a lot of fun running workshops for a while. It has taught me a lot more about how to draw to communicate, what’s important and what is not, and how to better teach it to others. But I’m an Interaction Designer / UX person, and I don’t want to only be “Drawing workshop person”. I do, however, want a lot of people to learn how to draw to communicate. It can be a fantastic tool for you too. But running workshops don’t scale. That’s why I’m trying to make this a kit for self-teaching.
The four workshop setup should be enough for you to get going. Start out among people you trust if you’re a bit unsure whether it will work or not. Set up a time schedule for the full workshop you intend to facilitate and follow it. You should, either before the workshop or at the beginning of it, do a quick introduction as to why it’s a good thing to draw to communicate.
Many people have done this before me, so these are not original ideas, I just happen to be interested enough to make a little bit out of it. Now you can do the same =) Please do! If you need help or want to discuss some aspects of this, contact me on LinkedIn, Twitter or post a comment to this post, and I’ll try to help you out.
Why draw to communicate?
To communicate ideas and thoughts precisely to others, read more about the motivation to draw in this earlier blog post: “How to draw to communicate”, now renamed “Why draw to communicate”.
Drawing will, I guess, always be harder than writing. But this might have two positive effects:
- You need to remove unnecessary details when drawing — only communicating the essential parts of your story.
- The process of drawing a story can make you figure out what’s the real essence of it. It makes it easier to see where your story and ideas have logical flaws, and it is also an easy way to “show, don’t tell”.